Specification
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Added in 1994 |
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Added in 1934 |
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Synthetic Stop |
| PEDAL : Chambers A & B |
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| Sub Bass |
32 |
(E) |
| Baryphone |
32 |
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| Sub Diapason |
16 |
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| Tibia |
16 |
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| Violone |
16 |
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| Baryphone |
16 |
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| Bourdon |
16 |
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| Octave |
8 |
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| Tibia |
8 |
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| Geigen |
8 |
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| Flute |
8 |
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| Viole |
4 |
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| Tibia |
4 |
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| Octave Flute |
4 |
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| Plein Jeu |
8 |
rks |
| Contra Bombarde |
32 |
(E) |
| Bombarde |
16 |
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| Trombone |
16 |
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| Fagotto |
16 |
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| Bombarde |
8 |
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| Horn |
4 |
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| Fagotto |
8 |
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| Bass Drum Tap |
(P) |
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| Couplers : |
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| Bombarde to Pedal |
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| Choir to Pedal |
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| Great to Pedal |
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| Swell to Pedal |
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| Solo to Pedal |
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| Manual Pistons |
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| A 2nd touch pedal setting for |
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| every manual piston |
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| Toe Pistons : |
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| 4 Pedal Combinations |
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| 4 Manual – Pedal Reversers |
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| 1 Bombarde 32′ Reverser |
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| Cymbal Crash |
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| Bass Drum Roll |
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| Cymbal Roll |
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| Snare Drum Roll |
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| CHOIR : Chamber A |
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| Violone |
16 |
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| Violes Celestes |
16 |
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| Bourdon |
16 |
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| Contra Salicional |
16 |
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| Open Diapason |
8 |
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| Violoncello |
8 |
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| Celestes |
8 |
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| Stopped Diapason |
8 |
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| Salicional |
8 |
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| Viola |
4 |
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| Celetina |
4 |
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| Stopped Flute |
4 |
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| Salicet |
4 |
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| Stopped Twelfth |
2 |
2/3 |
| Flautino |
2 |
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| Salicetina |
2 |
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| Octavin |
2 |
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| Krummhorn |
16 |
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| Clarinet |
8 |
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| Vox Angelica |
8 |
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| Chimes |
4 |
(F) |
| Xylophone |
4 |
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| Chrysoglott |
4 |
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| Couplers : |
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| Solo to Choir |
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| Swell to Choir |
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| Bombarde to Choir |
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| Manual Pistons : |
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| 8 |
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| GREAT : Chamber A |
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| Double Open Diapason |
16 |
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| Violone |
16 |
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| Bourdon |
16 |
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| Diaphonic Diapason |
8 |
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| Open Diapason |
8 |
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| Violoncello |
8 |
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| Salicional |
8 |
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| Harmonic Flute |
8 |
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| Stopped Diapason |
8 |
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| Quint |
5 |
1/3 |
| Octave |
4 |
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| Viola |
4 |
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| Harmonic Flute |
4 |
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| Stopped Flute |
4 |
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| Octave Quint |
2 |
2/3 |
| Twlfth |
2 |
2/3 |
| Superoctave |
2 |
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| Fifteenth |
2 |
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| Flautino |
2 |
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| Mixture |
9 |
rks |
| Plein Jeu |
11 |
rks |
| Double Horn |
16 |
T.C |
| Horn |
8 |
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| Octave Horn |
4 |
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| Bombarde |
8 |
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| Octave Bombarde |
4 |
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| Couplers : |
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| Choir to Great |
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| Swell to Great |
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| Solo to Great |
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| Manual Pistons : |
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| 8 |
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| SWELL : Chamber B |
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| Contra Viole |
16 |
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| Open Diapason |
8 |
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| Concert Flute |
8 |
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| Viole |
8 |
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| Strings |
8 |
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| Octave |
4 |
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| Violin |
4 |
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| Concert Flute |
4 |
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| Viole Twelfth |
2 |
2/3 |
| Flute Twelfth |
2 |
2/3 |
| Fifteenth |
2 |
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| Piccolo |
2 |
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| Mixture |
2 |
rks |
| Trombone |
16 |
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| Trumpet |
8 |
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| Clarion |
4 |
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| Chalumeau |
16 |
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| Corno di Bassetto |
8 |
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| Orchestral Oboe |
8 |
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| Vox Humana |
8 |
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| Chrysoglott |
8 |
c’ |
| Chrysoglott |
4 |
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| Chrysoglott |
2 |
2/3 |
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| Couplers : |
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| Solo to Swell |
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| Bombarde To Swell |
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| Manual Pistons : |
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| 8 |
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| SOLO : Chamber B |
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| Contra Tibia |
16 |
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| Sub Diapason |
16 |
TC |
| Strings |
16 |
TC |
| Tibia |
8 |
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| Open Diapason |
8 |
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| Viole |
8 |
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| Strings |
8 |
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| Concert Flute |
8 |
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| Tibia |
4 |
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| Strings |
4 |
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| Nazard |
2 |
2/3 |
| Ocarina |
2 |
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| Viole Fifteenth |
2 |
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| Tierce |
1 |
3/5 |
| Fagotto |
16 |
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| Orchestral Oboe |
8 |
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| Octave Oboe |
4 |
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| Vox Humana |
16 |
TC |
| Vox Humana |
8 |
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| Vox Humana |
4 |
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| Corno di Bassetto |
8 |
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| Trumpet |
8 |
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| Chimes |
4 |
(F) |
| Muted Chimes |
4 |
(P) |
| Xylophone |
4 |
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| Glockenspeil |
2 |
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| Sleigh Bells |
2 |
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| Carillion (c.c. 61) |
4 |
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| Repeater : |
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| (Glock, Xylo & Sleigh Bells) |
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| Coupler : |
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| Bombarde to Solo |
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| Manual Pistons : |
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| 8 |
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| BOMBARDE : Chamber A |
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| Diaphone |
16 |
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| Diaphonic Diapason |
8 |
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| Octave Diapason |
4 |
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| Gross Cornet |
6 |
rks |
| Contra Flute |
16 |
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| Harmonic Flute |
8 |
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| Harmonic Flute |
4 |
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| Piccolo |
2 |
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| Violes Celestes |
16 |
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| Violes Celestes |
8 |
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| Violes Celestes |
4 |
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| Contra Bombarde |
16 |
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| Bombarde |
8 |
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| Octave Bombarde |
4 |
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| Tuba Horn |
8 |
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| Octave Horn |
4 |
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| Chimes |
4 |
(F) |
| Glockenspeil |
2 |
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| Xylophone |
4 |
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| Repeater (Xylo & Glock) |
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| Manual Pistons : |
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| 4 |
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| Tremulants : |
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| Chamber A : |
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| 1. Diapason 1, Flute, Horn |
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| 2. Diapason 2, Viole, Celeste |
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| 3. Stopped Flute, Salicional, |
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| Harmonics |
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| Chamber B : |
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| 1. Tibia Treble |
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| 2. Diapason 3, Viole, Trumpet |
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| 3. Vox Humana, Oboe, |
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| Clarinet, Concert Flute |
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| 2nd Touch Couplers : |
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| Bombarde to Pedal |
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| Bombarde to Choir |
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| Bombarde to Great |
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| Bombarde to Swell |
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| Bombarde to Solo |
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| Traps to Choir |
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| Traps to Swell |
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| Manual Traps : |
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| Snare Drum Roll |
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| Snare Drum Tap |
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| Tom-Tom |
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| Castanets |
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| Tambourine |
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| Block |
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| Sleigh Bells |
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| Pedal Traps 2nd Touch : |
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| Bass Drum Tap F |
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| Bass Drum Roll |
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| Cymbal Roll |
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| Cymbal Crash |
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| Triangle Tap |
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| Tolling Bell |
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| Coupler : |
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| Pedal Traps to 1st Touch |
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| Wind Pressures : |
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| Main wind 30″ |
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| Bombarde 26″ |
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| Trumpet, Diapasons, Horn 12″ |
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| Tibia 15″ |
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| Viole, Celeste, String 10″ |
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| Harmomnic Flute, Concert |
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| Flute, Oboe, Clarinet, Vox – |
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| Humana 10″ |
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| Stopped Flute & Salicional 6″ |
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| Special Effects : |
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| Bass Drum Roll |
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| Cymbal Roll |
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| Snare Drum Roll |
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| Grand Crash |
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| Surf |
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| Bird |
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| Aeroplane |
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| Whistle |
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| Steamboat |
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| Control : |
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| Balanced Swell Pedals |
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| Left – Chamber A |
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| Middle – Chamber B |
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| Right – General Crescendo |
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| Thumb Pistons : |
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| 8 to each manual |
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| 4 to Bombarde |
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| 12 Generals |
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| 1 Manual to Pedal reverser |
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| for each manual |
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| Piston System : |
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| Sonic Services specially designed |
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| system with 16 levels of memory. |
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| Expandable in groups of 16 |
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| Special couplers : |
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| Tremulants Neutral |
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| Pedal 2nd touch pistons off |
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| Ventils : |
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| 12 To various ranks |
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| Chamber Layout : |
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| Chamber A |
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| Top Level |
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| 1. Diaphonic Diapason 1 |
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| 2. Diapason 2 |
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| 3. Tuba Horn |
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| 4. Viole |
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| 5. Celeste |
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| 6. Bombarde |
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| 7. Harmonic Flute |
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| Glockenspiel |
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| Xylophone |
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| Sleigh Bells |
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| Bottom Level |
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| 8. Salicional |
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| 9. Stopped Diapason |
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| 10-13 Harmonics |
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| Chamber B |
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| Top Level |
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| 14. Tibia |
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| 15. Diapason 3 |
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| 16. Viole |
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| 17. Trumpet |
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| Traps and Effects |
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| Vibraphone |
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| Middle Level |
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| 18. Orchestral Oboe |
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| 19. Clarinet |
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| 20. Vox Humana |
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| 21. String |
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| Mezzanine Level : |
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| 22. Concert Flute |
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The Organ is in the care of :
Len Bailey – Christian J. Knighton – Tim Trenchard – Phil Burbeck